UNIDENTIFIED OBJECTS
BAKLUSHAS
CROCODILE'S TEARS
SIMPLE PLEASURES
AMABIE
ARTIST UNION
HOOLIGANS
PECK OF SALT
POINT OF NO RETURN
LIVING TAPESTRY
BLIND SPOT
DISSIDENT
REFLECTION IN A SPACE
OPTIMIST
NARCISSUS
NO. 0
BLUEST OF THE SEAS
WASHERWOMEN
POSSESSIVE SHOEMAKER
STALE NEWS
UNDER THE WEATHER
INFORMER
CASTS
JOURNEY
LIVE CAM RENAISSANCE
DOLL HOUSE
PERSONAL SPACE
PERSONAL SPACE #2
THE PEST
TABLETOP MEMORIES
ANXIETY
WEATHER FORECAST
ON THE LOOKOUT
COLOURING SOUNDSCAPES
REFLECTION ON LIFE NO. 125082
WEATHER FORECAST - WINTER/SUMMER
CLOUD THAT SMELLED BLUE
SOCKS SNAPPER
VEXATION OF SPIRIT
STORM IN A TEA GLASS
SHADOWS
HOIST
CARDBOARD DRIPPINGS
ACROBATS
GRAVITATION
BREATHING IN THE AIR
WE ARE HERE
INFINITY
1928
WINDOW SASH
SNOWBALL FIGHT
TODDLER
STATICVIDEO
POLAR BEAR FODDER
TREMBLING CREATURES
LIFE IS STRUGGLE
MADE IN ANCIENT GREECE
JUMPING JACKS
FISH TALK
SPEEDLESS
IN THE SHADE OF AN OLIVE TREE
TOUCHMEWEB
FUR DIE STADT
THE ANGEL
DRUMPAINTING

THE STORY OF HEROIC PILOT

SARCOPHAGUS, Ghanaian Style, or the Funeral
A SYMPHONY for X Slide Projectors
BRIDE
work






1928



by Anna Frants
Multimedia Installation
Size: 150 x 70 x 150 cm
2008


“Made in Ancient Greece, 1928” is second piece from series of freestanding video sculptures that introduces unlikely, from the conservative point of view, but perfect marriage of traditional art form and moving images/ Hollywood style that transformed later to style of Soviet cinema of Stalin era.

Ridiculing snobbishness of our conventional thinking, sculpture plays on principles of our vision, time that long term memory takes to pulls out cliches, and perfect proportions  of the Greek pottery.

Footage was shot in 1928-1936 by young cameraman Vyacheslav Alekseevich Burgov who later became legend of Russian sound technology.

“Made in Ancient Greece” is a freestanding video sculpture that introduces unlikely, from the conservative point of view, but perfect marriage of traditional art form and moving images.

Ridiculing snobbishness of our conventional thinking, sculpture plays on principles of our vision, time that long term memory takes to pulls out cliches, and perfect proportions of the Greek pottery.

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