LIVING TAPESTRY
BLIND SPOT
DISSIDENT
NO. 0
BLUEST OF THE SEAS
WASHERWOMEN
POSSESSIVE SHOEMAKER
STALE NEWS
UNDER THE WEATHER
INFORMER
CASTS
JOURNEY
LIVE CAM RENAISSANCE
DOLL HOUSE
PERSONAL SPACE
PERSONAL SPACE #2
THE PEST
TABLETOP MEMORIES
ANXIETY
WEATHER FORECAST
ON THE LOOKOUT
COLOURING SOUNDSCAPES
REFLECTION ON LIFE NO. 125082
WEATHER FORECAST - WINTER/SUMMER
CLOUD THAT SMELLED BLUE
SOCKS SNAPPER
VEXATION OF SPIRIT
STORM IN A TEA GLASS
SHADOWS
HOIST
CARDBOARD DRIPPINGS
ACROBATS
GRAVITATION
BREATHING IN THE AIR
WE ARE HERE
INFINITY
1928
WINDOW SASH
SNOWBALL FIGHT
TODDLER
STATICVIDEO
POLAR BEAR FODDER
TREMBLING CREATURES
LIFE IS STRUGGLE
MADE IN ANCIENT GREECE
JUMPING JACKS
FISH TALK
SPEEDLESS
IN THE SHADE OF AN OLIVE TREE
TOUCHMEWEB
FUR DIE STADT
THE ANGEL
DRUMPAINTING

THE STORY OF HEROIC PILOT

SARCOPHAGUS, Ghanaian Style, or the Funeral
A SYMPHONY for X Slide Projectors
BRIDE
work






ON THE LOOKOUT


Anna Frants and CYLAND Media Lab
Mounted head of deer, artificial eyes, sensors, cameras,
computer programming
2014


Photo: Vladimir Mikhaylutsa


Photo: Anton Hlabov

From Wikipedia: If paranoia transforms into persecutory delusion or persecutory, one talks about an isolated delusional disorder. Delusional Disorder is a mental illness  that is characterized by the presence of a well-systematized domineering delusion, but, unlike schizophrenia, devoid of quirkiness.

Legend says that the expression "even walls have ears" goes back to Dionysius I, the tyrant of Syracuse who lived in the 5th century BC and was the first to come up the ingenious method of eavesdropping.  It is true that Dionysius I did not end well:  he was poisoned, and his son Dionysius II ascended the throne.  The tyrant's apprehension was not groundless.  The work On the Lookout is the reflections on the subject of organization of a human soul.  Could it be that paranoia starts when "on the lookout" and "apprehension" take up residence in the same body?  Where does madness start and non-madness end?

Technical outline for On the Lookout

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Photo: Anton Hlabov