UNIDENTIFIED OBJECTS
BAKLUSHAS
CROCODILE'S TEARS
SIMPLE PLEASURES
AMABIE
ARTIST UNION
HOOLIGANS
PECK OF SALT
POINT OF NO RETURN
LIVING TAPESTRY
BLIND SPOT
DISSIDENT
REFLECTION IN A SPACE
OPTIMIST
NARCISSUS
NO. 0
BLUEST OF THE SEAS
WASHERWOMEN
POSSESSIVE SHOEMAKER
STALE NEWS
UNDER THE WEATHER
INFORMER
CASTS
JOURNEY
LIVE CAM RENAISSANCE
DOLL HOUSE
PERSONAL SPACE
PERSONAL SPACE #2
THE PEST
TABLETOP MEMORIES
ANXIETY
WEATHER FORECAST
ON THE LOOKOUT
COLOURING SOUNDSCAPES
REFLECTION ON LIFE NO. 125082
WEATHER FORECAST - WINTER/SUMMER
CLOUD THAT SMELLED BLUE
SOCKS SNAPPER
VEXATION OF SPIRIT
STORM IN A TEA GLASS
SHADOWS
HOIST
CARDBOARD DRIPPINGS
ACROBATS
GRAVITATION
BREATHING IN THE AIR
WE ARE HERE
INFINITY
1928
WINDOW SASH
SNOWBALL FIGHT
TODDLER
STATICVIDEO
POLAR BEAR FODDER
TREMBLING CREATURES
LIFE IS STRUGGLE
MADE IN ANCIENT GREECE
JUMPING JACKS
FISH TALK
SPEEDLESS
IN THE SHADE OF AN OLIVE TREE
TOUCHMEWEB
FUR DIE STADT
THE ANGEL
DRUMPAINTING

THE STORY OF HEROIC PILOT

SARCOPHAGUS, Ghanaian Style, or the Funeral
A SYMPHONY for X Slide Projectors
BRIDE
work






THE PESTERER


From series “Personal Space”
Anna Frants and Media Lab Cyland
Projector, video camera, robot Rumba, computer programming, video
Computer programming:  Aleksey Grachev
2015-16



From the Free Dictionary by Farlex: 

PEST /PESTERER/ n (colloq) a persistently annoying person.

Pesterer draws the viewer into a mediated new-media reality made visceral and uncertain by the persistent presence of the two swirling robots intent upon disruption. A live-stream captures the space of the installation in real time, transforming a lived experience into a projected spectacle and blurring the line between the real and the representational.

Intruding further upon the tenuous relationship created between viewer, experience, and image, the Roombas are programmed to bump relentlessly into the plinth housing the projector, setting into motion a digital ripple effect that moves from the physical world to the digital world as the projection shakes — hardware, software, subject and image all become implicated in a casual prodding of the boundaries between human and non-human ecologies.

Technical Specifications: Pesterer requires a camera to capture live video, a projector and screen (or appropriate space upon which to project), a plinth, and two Roombas with sufficient space to maneuver.