The “Cyberfest” is marking its tenth anniversary with special grandeur, showcasing an international festival of art that utilizes new technologies. The event features exhibitions at eight prestigious venues with the participation of 80 artists, retrospectives of video programs from previous years, a mini-festival of sound art (audio art), and an educational program.
ON MY WAY – VENICE BIENNALE 2015
As a parallel event to the Venice Biennale, a group of artists from Russia presented an exhibition that juxtaposes works made in new and traditional media, further undermining the principle of media-specificity. Studio International spoke to some of the artists
On My Way, an exhibition on view at Ca’ Foscari Zattere, the “cultural flow zone” of the city of Venice, runs parallel to the Venice Biennale. It is featuring 11 works by 14 contemporary Russian artists and one by an Italian artist from Venice. The exhibition is affiliated with Cyland Media Lab and Cyberfest, two initiatives by Anna Frants, a New York-based artist and curator who endeavoured to forge collaboration between artists and technology specialists in Russian, taking as its model the legendary 1960s cooperative Experiments in Art and Technology (E.A.T.). As such, it features several new media installations that involve elaborate technology.
Despite its focus on the new media, On My Way also includes traditional media – namely five paintings from the Arefiev circle, a nonconformist group of Leningrad artists active in the 1950s to 80s. In fact, the exhibition’s title is taken from a painting by the group’s leader, Alexander Arefiev, which shows him nonchalantly walking to get a beer on a sunny day in the architecturally stunning Leningrad. The paintings are included to trace a connection between an older and a younger generation of artists, because most of the participants of On My Way come from St Petersburg. The curators and the artists found a kindred spirit in the flâneur attitude expressed in Arefiev’s painting, defiant of the powers-that-be and asserting the right of an artist to create freely, regardless of the political climate. The exhibition is visually stimulating, as many new media installations are interactive or overlap thematically with traditional works. Thorough wall texts and a catalogue offer detailed information about the conceptual organisation of the exhibition and each artist’s explanation of the work on display.
On My Way
Peter Belyi, Ludmila Belova, Alexandra Dementieva, Elena Gubanova & Ivan Govorkov, Victoria Ilyushkina & Maya Popova, Anna Frants, Marina Koldobskaya, Vitaly Pushnitsky, Alexander Terebenin, Alexander Shishkin-Hokusai and Mariateresa Sartori
Ca’ Foscari Zattere Cultural Flow Zone
Ca’ Foscari University of Venice, Zattere, Dorsoduro 1392, Venice
7 May – 5 July 2015
Interviews by Natasha Kurchanova
Filmed by Martin Kennedy
Studio International: Visual Arts, Design and Architecture June 11, 2015
CONTEMPORARY ART IS NO HINDRANCE TO CLASSICAL
The Sixth Cyberfest, the largest annual international festival of cybernetic art in Eastern Europe, is taking place in St. Petersburg. Cyberart is a cunning blend of living substance with technical, computer components. “Are there no more artists, in the conventional sense of the word, working with brushes and paints, and are they gradually being replaced by programmers and electricians?” pondered the “VP” correspondent. Ivan Govorkov, a professor at the Academy of Arts, shared his thoughts about art and culture.
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