SONIC SELF: CONTEMPORARY SOUND-ART

July 17 – August 30, 2008

Through the Sonic Self, local and international sound artists, musicians, video, multimedia, and performance artists exchange and develop pioneering ideas and innovative practices in the contemporary Sound Art discipline. This exhibition fosters open audio-visual dialog between video and sound artists in order to highlight the growing confluence of audio and visual experiences. Here, in the emerging ‘Sonic Culture,’ communication, sound and visual experience converge to form new patterns in the cultural sensibility. As sound merges with the surrounding persistent, random ‘audio architecture’ there is a kind of sonic explosion that can be seen as a breakthrough of the Sonic Itself.

At the intersection of audio and visual experiences, facilitated in large part by the internet and growing digital technology, the Sonic world (audible space) enjoys newfound prominence in the multimedia environment of contemporary culture. Exploring sound emergent spaces, time of audio resonance, sound design, audio-visual simulation, virtual dimension, linguistic utterances, musical performance, and random ‘noise’ leads to individual expression that potentially exceeds its form in relation to one’s internal self and sonic influences. As noted by Damian Catera, “Sound is no longer trapped within the mechanism of the ear; its multidisciplinary aspects are reflected in a blurring of sensory experiences. Sound is tactile, visual, spatial and spiritual. These elements have long been ingrained in the experience of sound since the dawn of humanity.

In what has become an often quoted phrase, Jimmy Hendrix once said “When the power of love overcomes the love of power, the world will know peace,” which also serves as the underling inspiration for the Sonif Self. In this spirit, participating artists from around the world are collaborating on projects intended to bridge disparate audio-visual practices and emphasize their commonality — human sonic resonance… The Sonic Self – An exhibition exploring sound related art, curated by Jolanta Gora-Wita, Koshek Swaminathan, Anna Frants, Koan Jeff Baysa, Yaro, with guest curator Maciej Zygmunt Czarkowski, presents works by selected pioneering artists, who use sound as their medium, encompassing spoken word, field recordings, computer generated sound, video projection, interactive art, sound performance, avant-garde theater, live music and DJ sampling. The Sonic Self artists collectively examine forms in which we communicate with each other and with the world around us by way of articulate sounds, music, dialog, visuals and motion. By guiding the mind through an internal sound experience, these artists transform our perception of our surroundings.  Subsequent to opening at Chelsea Art Museum, the curators of the Sonic Self will present this unique project in Chennai, India and St. Petersburg, Russia in 2009.Participating artists include:

Sound Art Installation by:
David Marcus Abir, Mikhail Acrest, Paul Amlehn/ Robert Fripp , Damian Catera, DJ Olive, Phil Dadson, Fiorentina De Biasi, Anna Frants/ CylandMedialab, Ivan Govorkov/ Elena Gubanova, Timur Kuyanov, Melissa Lockwood, Lisa Moren, Shelby Voice and Virgil Wong.

Video and Multimedia by:
Romeo Alaeff, Christian Austin, Natalie Bewernitz/ Marek Goldowski, Dmitri Bulnigin, Phil Dadson, Denny Daniel, Jarret Egan, Hasan Elahi, Anna Frants, Frankie Hutton, Steve Jones, Andrea Juan, Kit Krash, Anna Kolosova, Katka Konecna, Amy Cohen Banker/Amy Kool with Nigel Dickie, Olga M, Scotto Mycklebust, Alexandra Lerman, Natalia Lyakh, Eugene Rodriguez, Miroslaw Rogala, Dmitri Shubin, Maria Sharafutdinova, Kirill Shuvalov, Srinivasan, Pawel Wojtasik & Jarek Zajac.

Chelsea Art Museum May 4, 2012

 

SONIC SELF – EXHIBITION RECEPTION JULY 17, 2008. CHELSEA ART MUSEUM. PERFORMANCE

SONIC SELF – EXHIBITION
JULY 17-AUGUST 30, 2008
CHELSEA ART MUSEUM, NYC.

Performances by: Drumpaiting/Cyland, Ramya Ramnarayan Nrithyanjali Dance, Damian Catera, Hahn Rowe, Text of Light, Zemi17 GAMELOTRON.
Video by Denny Daniel.

From July 17 to August 30, 2008, Sonic Self gathers local and international artists working with sound art, video/multimedia, and performances to enhance the exchange of new ideas and techniques in contemporary sound art.

YouTube August 28, 2008

ANNA FRANTS’ EXHIBITION

While still in school, Anna Frants decided to become an animator. However, in the early 1980s in Leningrad, there was no place to study animation, and traveling to Moscow was required, but she did not go. Instead, she enrolled in the design department at the Mukhina College, where she graduated successfully. However, she never worked in industrial design. She moved to New York to live with her father, where she finally began studying animation. More precisely, she delved into computer animation right as new technologies were emerging, gradually discovering that the technologies themselves fascinated her more than their application. This is how Anna Frants turned to contemporary high-tech art, a field she has been engaged in for the past decade, regularly exhibiting in St. Petersburg. From now on, she promises to appear even more frequently, as this year her joint project with the State Center for Contemporary Art (GCSI), the media laboratory Cyland in Kronstadt, is gaining momentum.


Technology either creates an alternative reality, as demonstrated at the recent Cyberfest at the Peter and Paul Fortress, where Anna Frants invited visitors to wear special glasses that altered the speed of the image depending on the viewer’s movements. In the Borey hall, these glasses allowed visitors to create a living, swaying shadow of an olive tree.
Or, technology convinces you that the alternative reality is you. This is what Anna Frants plans to show in Borey. In one of her new installations, two real fish from Kuznechny Market will have conversations in a setting surrounded by fruits, shells, glasses, and other elements of classic still life, both grand and simple. The setup is rather simple: the dialogue text will be projected onto a screen in the form of speech bubbles, creating a kind of three-dimensional comic strip. However, importantly, the artist does not know in advance what the fish will discuss. The text will be randomly pulled from blogs by a program specifically created by Anna Frants for this purpose. The viewer is free to read or ignore the text, but should understand this: while they watch the fish converse, life elsewhere is happening in much more exciting ways.

Afisha Moskva December 10, 2007